Doctor Faust
Staging
For dramaturgical reasons, it is impossible for a marionette stage to appropriately reproduce Goethe's Faust. Attempts to adapt the poetry for the puppet stage by excerpts or shortening it would not only be an almost impossible experiment, but also a disrespect to great poetry. An attempt had to be made to obtain a concise redesign for the puppets. The text was edited in 1980 by Toni Gruber, who had already worked as an author for the Tölzer Marionetten in the past. Stylistically, the language of free Knittelverse was chosen. This was solely for economic and accentuation reasons and was in no way intended to be an aping of Goethe's style.
The sound recording used here is also from 1980 and is an irretrievable sound document with the speaker ensemble of the Tölzer Marionette Theater at the time. Oskar Paul, who designed and built the characters and stage set in an unmistakable way, can be heard in this recording as a resident of Saturn. During the digitization and restoration of the original magnetic tape, small details were optimized and a new song was selected for Gretchen.
Stage story
Stage story
Anyone who speaks of “Faust” today usually means Goethe’s Faust poem. And that is no coincidence. Other poetic attempts to shape the historical Faust material remained inadequate compared to Goethe's work.
That Dr. There is no doubt that Faust is not only a legendary figure, but actually existed. The most reliable documentary evidence for this is an entry in an episcopal Bamberg chamber invoice from 1520, according to which “Doctor Faustus” received xxxx guilders as a fee for the preparation of a horoscope on the episcopal order.
According to the German Volksbuch, he first studied theology, then medicine and philosophy, and also studied chiromancy and astrology. He is also said to have engaged in necromancy, which, according to legend, enabled him to achieve great wealth and secret magical powers through a pact with the devil.
Dates
Loosely based on the German folk book
Author: Toni Gruber
Acting in 8 pictures
Playing time: 120 minutes including break
Produktionsteam
Characters: Oskar Paul
Costume tailoring: Eva Richter
Stage design: Oskar Paul
Restoration: Bernhard Leismüller
Digitalization: Joachim Schmid
Directed in 1980: Alwin Emmert
Director 2024: Bernhard Leismüller